Steeplechase House

美國
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Steve Chase
照片 © Brooks + Scarpa
图纸 © Brooks + Scarpa
图纸 © Brooks + Scarpa
图纸 © Brooks + Scarpa
图纸 © Brooks + Scarpa
图纸 © Brooks + Scarpa
图纸 © Brooks + Scarpa
图纸 © Brooks + Scarpa
图纸 © Brooks + Scarpa
建筑师
Brooks + Scarpa Architects
位置
Hillsborough, NC, 美國
年份
2024
团队
Lawrence Scarpa, Angela Brooks, Micaela Danko, Jeffrey Huber, Iliya Muzychuk, Chinh Nguyen, Fui Srivikorn, Calder Scarpa, Yimin Wu, Arty Vartanyan
General Contractor
Tonic Design and Construction, Katherine Hogan and Vinny Petrarca
Structural Engineer
Carolina Mendez, Kaydos-daniels engineers
Landscape Architect
PLAN(t)

This project is a unique collaboration between long-time client/architect relationship, who designed an award-winning office space for this famed film director more than 25 years ago. After decades of success in the Hollywood limelight, the director and artistic spouse decided to pursue a lifelong dream and return to a more tranquil lifestyle reminiscent of their upbringing around Montreal, Canada.

Located on a wooded 65-acre site in the Appalachian foothills near the Eno river around Raleigh Durham, NC, the Steeplechase house is designed as a place of reflection and repose – a pavilion amongst the trees that connects to the expansive natural setting. The simple double gable roofs rise to 31 feet high with expanses of glass that allows nature to visually connect to the interior space and help forge a deeper, more meaningful understanding of the relationship between the natural and built environments.

The structure’s reflective glass and black metal exterior give the building an ever-changing presence during the seasons; receding into the forest‘s dappled light in the summer and winter stalk-like tree structures and standing out like a beacon with the occasional winter snow, while the natural plywood interior create a protected and warm gathering place, while preserving the spectacular view into the forest.

The plan is organized around two open gabled volumes for the public and private zones of the house. The kitchen/dining area connects the two sides of the house with a transparent lower scaled gallery like loggia with glass on both sides that feels like a walk in the forest when moving between the two volumes. This transitional space divides and connects the two distinct zones of the house while allowing a sense of spaciousness and escape.

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杂志

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