ARCHETONIC

U-125

ARCHETONIC
3. April 2018
Photo: Yoshihiro Koitani

Project: U-125, 2016
Location: Lomas de Chapultepec, Mexico City
Client: ARCHETONIC
Architect: ARCHETONIC 
Architects: Jacobo Micha Mizrahi, Jaime Micha Balas
Design Team: Ernesto Rossell Zanotelli, Jessica Steiner Durán, Désirée Gómez Córdova. 
Main Contractor: ARCHETONIC
Consultants: Montes de Oca Ingenieros Consultores
Suppliers: Interbrax, Kone, Vitro canceles, Vitra-Ofita

Photo: Yoshihiro Koitani

They saw the potential of this building and had the vision to convert it into their firm’s headquarters. They preserved the house, giving it added value and a cutting-edge look.

Photo: Yoshihiro Koitani

The house that originally contained 300 square meters in three levels was intervened, transformed and extended. Today it hosts an office program with 604 square meters in four levels plus a terrace.

Photo: Yoshihiro Koitani

To consider the heritage value of the house was the guideline for their design process. They respected the proportions, openings, access and volume preserving its original essence, achieving harmony between the pre-existing space and their intervention.

Photo: Yoshihiro Koitani

Three metal-plate roofs refer to the proportions of the house below, and a metal mesh, tensioned between these roofs, give the building its discrete, clean and elegant look, while at night time, the lighting reveals its more complex characteristic — its history.

Photo: Rafael Gamo

Inside, at every level, a selection of different pieces of art is concerned with the fact that ARCHTONIC want their workspace to exhibit the talent of several artists, especifically Mexican.

Photo: Rafael Gamo

In the first level and upper levels they created terraces for the coexistence and recreation of their team. These areas are used daily to eat, live and work in open spaces overlooking the city.

Photo: Rafael Gamo

U-125 was a winner of the American Architecture Prize 2017 in Architectural Design | Restoration & Renovation.

Photo: Rafael Gamo
Photo: Rafael Gamo
Photo: Yoshihiro Koitani

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